The exhibit features stacked blocks, leaning two by fours, paint sticks, debris and detritus, stapled velcro—all arranged in a way that suggests “compulsive counting. Regularity exists here side-by-side with irregular patterns. The artist even makes new work by recycling his old work.
The types of paint Ryman uses are myriad and color is the crux of these works, the hues used in these pieces are as key as the form.