Gray travelled in France, Spain, Scotland and Iceland and was inspired by ancient architecture and stone circles—the leavings of ancient civilizations. Do these places have some ancient significance? Or are they just the ruins of an outhouse? Gray’s work explores the “slow history” of these relics. In Gray’s pieces these items are supernatural, mystical and contain “encoded” information. This is simplification of course.
Be sure, if you are in New York City, to drop by Rare to look over these works. More information available HERE.