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Empress Hotel, Out Of New Orleans, Opening For Van Hunt At Schubas, October

10/11/2011

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Empress Hotel
Empress Hotel, as noted elsewhere in the vaults of Mapanare, have just released their self-titled ep and hit the road with the wildly entertaining Van Hunt.

They bring to mind a new truism--when you see an opening act that is really good? The headliner has tons and tons of confidence. If an opener comes out and warbles some tunes off key and them pisses themselves onstage? Indicates the headliner is a) not real confident b) for some other reason wants no competition.

Van Hunt apparently wasn't worried about this because Empress Hotel could easily satisfy an audience as the lone act. It is to be hoped they will tour as a headliner soon.

The band's ep isn't the whole story of the band's sound. Their live show is both like and unlike the record. Some of the songs are almost doo-wop sounding. Then there are these keyboard sounds from another time. You are going to buy this, listen to it, take off your little headphones, shake your head and listen to it from beginning to end again.

The live show rocks more than the EP. But the EP songs do not NEED to blaze and rock you out of your shoes. They are catchy pop tunes and as I try to write about what they sound like all I can think of is that in any art where words are involved good writing rules. You do not need to be profound necessarily you need to write words that fit what is around them.

If they make you think, miss your ex-girlfriend or want to go join a street protest? So much the better but "good writing" doesn't mean it has to be akin to Bob Dylan. You Shook Me All Night Long is also good writing. It would sound stupid if ACDC used that music and wrote about the plight of aboriginal peoples.
Micah McKEE of Empress Hotel
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But what of the bands live show? Think of 90s alternative rock with, for lack of a better word, a groove. Micah McKEE's vocals change subtly from song to song. Some might say; all singers do this. I would respond with; good singers do this.

Musically the lynchpin in one song might be the modeled sound of a Fender Rhodes, the next blazing guitar riffs and another subtle, almost reggae-esque bass line. They move their sound around to make each song unique but never out of place.

Ultimately they are just a really good live band and with both the show and their EP come an inescapable realization; they have just scratched the surface.

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-words and photos by Patrick Ogle
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